Ditzy-Doe
Visual Artist
I WANNA BE A PRETTY REINDEER PRINCESS
Posts: 88 
Species: Deer
True Gender: female
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Post by Ditzy-Doe on May 13, 2014 10:50:57 GMT -6
I want to get into making electronic punk rock and noise, and I want to use electronically produced noise. I know of some excellent free resources to use noise music that other people made, but I don't want to do that! It would be cheating originality from the final product. I have FL Studio mainly, but I don't know how to use that to make noise. I also have Audacity, and I know it can generate tones, beeps, notes, white noise, feedback, echo, distortion, etc. but I don't know how to use that in a way that conforms to a tempo and actually sounds like genuine noise music. It always ends up empty and formless, and I use "formless" for lack of a better term, because I know noise is supposed to be surreal
but it just... doesn't sound right.
I also have celemony melodyne, LMMS, and BFXR. How could I use the combination of software I already have to make the appropriate noise music?
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Deleted
Deleted Member
Posts: 0
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Post by Deleted on May 13, 2014 22:34:55 GMT -6
Noise music is a somewhat fun to make and somewhat difficult.
https%3A//soundcloud.com/vedmar/enter-nightlight
This is a example of my stuff. I basically used some plugins in FL Studio and did my best to make it sound like a car being ground up. There's also the more expensive route of using analogs. My friend makes his stuff mainly with analogs and adds vocals at times.
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Ditzy-Doe
Visual Artist
I WANNA BE A PRETTY REINDEER PRINCESS
Posts: 88
Species: Deer
True Gender: female
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Post by Ditzy-Doe on May 14, 2014 10:36:06 GMT -6
Cool! What are those plugins?
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Post by drillheadonfire on May 14, 2014 20:18:29 GMT -6
EY B0SS
U WANNA MAKE NOISE MUSIC
HERE'S HOW U MAKE NOISE MUSIC
GENERALLY NOISE MUSIC IS ALL ABOUT SENSORY MOTHAFUCKIN OVERLOAD, WELL, AT LEAST HARSH NOISE IS WHICH IS WHAT I'M ASSUMING YOU'RE FUCKIN' DIGGING.
THE FIRST THING YOU NEED (AND ONLY FUCKING THING) IS DRUMS. DRUMS ALL DAY ERRYDAY. THE PERCUSSIVE SOUND MAKES IT WAY EASIER TO SOUND FUCKED UP THAN A CHILL PIANO LINE, BUT EXPERIMENT WITH OTHER SOUNDS.
GENERALLY, YOU WANNA FIND YOURSELF A BITCRUSHER PLUGIN, TO LOWER THE QUALITY OF THE SAMPLE. THE FUCKING SHITTIER AND LOUDER IT IS, THE FUCKING BETTER IT IS. A COMMON SAYING IN THE NOISE COMMUNITY IS 'TALENT IS OVERRATED'.
THEN, ONCE THE SAMPLE IS BITCRUSHED, FUCKING OVERDRIVE IT. TO SHIT. UNTIL YOU CAN'T EVEN UNDERSTAND THAT IT'S A FUCKING THING.
THEN, YOU ADD A BUNCH OF WEIRD PLUGINS TO IT TO FIT THE GENERAL NICHE. YOU WANT IT TO BE THE GRINDY-POUNDY NOISE THAT DRIVES THE SHIT? GENERALLY JUST LEAVE IT ALONE AFTER SHIT-IFYING IT. MAKE IT DRY AND TIGHT.
ATMOSPHERIC EFFECTS? GO FUCKING NUTS. REVERB MAKES IT SOUND WET AND SHIT, COMBINED WITH DELAY AND A PHASER YOU GET A CHAOTIC MESS OF SHIT.
ALSO, FEEL FREE TO JUST TAKE A SHITTY SAMPLE, CHOP IT INTO FUCKING PIECES, SLOW DOWN THE PIECES, AND SPRITZ THEM RANDOMLY ACROSS THE TRACK FOR SOME WEIRD EFFECTS.
WITH NOISE, IF SOMETHING HAPPENS, THROW IT THE FUCK IN EVEN IF YOU DIDN'T EXPECT IT TO HAPPEN.
ALSO, DO MASTERING ON EARBUDS OR OTHER SHITTY THINGS. JUST TO MAKE SURE THE MASTERING IS SHITTY TOO.
FINALLY, SAVE IT AS AN MP3, ON THE LOWEST SOUND QUALITY, GET A SHITTY CONVERTER, CONVERT IT TO .WAV SO PEOPLE CAN APPRECIATE THE DIMENSIONS OF YOUR SHITTY TRACK, AND THEN PREFORM IT ON STAGE WHILE VOMITING INTO A TUPPERWARE CONTAINER AND WANKING IT WITH A VACUUM.
BANDS THAT HAVE FOLLOWED DRILLHEADS ULTRAPRO METHOD OF GETTING FUCKING ARRESTETED INCLUDE:
THE GEROGERIGEGEGEGE (DAMN SON THEY MADE A 10 MINUTE TRACK OF SOMEONE TAKING A SHIT. THAT'S NOISE IF ANYTHING.)
WHITEHOUSE (THEY GOT BANNED FROM EVERY FUCKING CLUB IN ENGLAND.)
MERZBOW (VEGAN ANARCHO POLITIPUNK NOISE. ALSO LOOKS LIKE AN ANIMOOMOO VILLAIN.)
THANK YOU, AND GOOD FUCKING BYE.
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Ditzy-Doe
Visual Artist
I WANNA BE A PRETTY REINDEER PRINCESS
Posts: 88
Species: Deer
True Gender: female
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Post by Ditzy-Doe on May 15, 2014 5:34:47 GMT -6
I was really inspired by John Cage recently, pushing the definition of music. One of his pieces is so surreal it's just fucking silence.
I get what I wasn't getting now! There just wasn't enough sound! I didn't fill up the sound space enough- I was being too much of a damn pansy. I gotta switch my mindset: put my game face on and fuck everything up like my very first attempt at speedcore. That shit was nasty.
I wonder what I can smash and destroy and record that would make THE raunchiest shit and then butcher it.
Bitcrusher noted! Damn you got me all pumped up now
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Post by drillheadonfire on May 15, 2014 16:34:52 GMT -6
FUCK YEAH
RECORDING SHIT IS ALSO REALLY GOOD, ESPECIALLY LO-FI SO YOU GET SUPER AUDIO ARTIFACTS.
ALSO 4'33 IS FUCKING LEGENDARY.
ALSO, JUST SCREAMING, YELLING, TALKING, ADDS A HUMAN ELEMENT TO SHIT THAT'S SUPER COOL.
GEROGERIGEGEGEGE HAS REALLY CRAZY, ANIMALISTIC VOCALS AND IT DRIVES SHIT TO 11. LEARNING HOW TO MAKE YOUR OWN INSTRUMENTS, EVEN IF THEY'RE SHIT, IS ALSO COOL. ALSO USE FOUND FUCKING OBJECTS. A JAPANESE NOISE ARTIST ACTUALLY USES NOTHING BUT OLD FUCKING PHONES IN HIS RECORDING.
GET NASTY, GET MEAN, FUCK UP.
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